Political issues have long provided creative fodder for fiction. Think novels by Dickens, Steinbeck and Orwell, just to name a few.

But what about short stories with political themes? What isn’t political?

In culling the selections for this book, Calgary-based editor Sandra McIntyre writes that she often considered these questions. The result is a thought-provoking collection of politically themed short stories by emerging Canadian writers.

As McIntyre states, “People are political and everything has some connection to the public sphere.” Thus the implication of ambiguity and openness in interpreting the title.

Accordingly, the 20 stories encompass a wide range of topics, from social justice issues and violence to cultural displacement and fraught social connections.

Almost half of them take place in six of the Canadian provinces (though, sadly, not Manitoba, nor are any set here, which is odd given that the publisher is Winnnipeg-based). The remainder are set abroad: Northern Ireland, Bangladesh, Greece, Burma, England, Iran, Sri Lanka and Colombia.

Some stories focus on politics in the concrete sense. Stray Dogs by Ontario’s Andrew F. Sullivan is a chilling tale about a prison photographer. He performs his duties unquestioningly, until doubt sets in and leads to some tough decisions.

At the outset, his spare understated narrative captures his sense of emotional detachment, at the same time engaging the reader.

”I pick up the canister again, testing its weight in my hand,” the photographer says. “All those faces locked inside, waiting to be released in their new form. Like a flattened butterfly under glass.”

In Vancouverite Sherveen Ashtari’s Above Her Shook the Starry Lights, the female narrator is an Iranian prisoner awaiting the death penalty. In lyrical prose, she reflects on the past to come to terms with events that shaped the trajectory of her life.

”I was born a captive,” she proclaims, her 1979 birth date coinciding with Iran’s Islamic coup.

Several stories involve an element of danger. The Briefcase by Ethan Canter tells of a man who arrives at a bar where someone has mysteriously left a valise.

In Torontonian Matthew R. Loney’s piece, From the Lookout There Are Trees, a young man decides to hike alone in Burma, a military dictatorship where he unwittingly places himself at risk.

However, other stories focus on the politics of relationships, that is, politics “in the ‘soft’ sense — a phrase coined by McIntyre. In Grace Street, 1946, by Joan Baril of Thunder Bay, Ont., a young white girl befriends her First Nations classmate, much to the dismay of her mother.

In Star Spinning by Ontarian Catherine Brunet, a young female teacher on a northern reserve decides to quit her job after a year. The night before her departure, two students pay her a visit and offer fresh insights about life there.

An intriguing story of patriotism and friendship, Quitting Colombia by Mexico-based Jim Conklin, tells about a main character who spends his final night in Colombia at his favourite bar before immigrating to Miami. Meanwhile, an old friend who is known for causing trouble shows up at the bar that evening.

Also noteworthy are the ironic twists present in a few stories, such as the futuristic Gotcha! by British Columbian Jack Godwin, in which a talk show host in 2050 turns the tables on a celebrity from the past.

In Shane Joseph’s Suicide Bombers,” a Canadian discovers the difference between theory and practice when he strikes up a conversation with his seatmate, a professor specializing in research on terrorism.

That said, each story offers entertainment and food for thought to readers within a few brief pages.

Bev Sandell Greenberg is a Winnipeg writer and editor.

—Winnipeg Free Press, May 18, 2013

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In the introduction to Everything Is So Political, editor Sandra McIntyre explores the purposeful ambiguity of the title and the broad scope of this short story collection. Using an expansive definition of “political”,the twenty stories in this anthology run the gamut from a fictionalized account of Halifax’s 2012 bus strike in David Fleming’s “Halifax on Strike!” to an explosion on a bus in Sri Lanka in Shane Joseph’s “Suicide Bombers”. Politics in the most common definition of the word are explored in stories like “The Extremists” by R. Jonathan Chapman about a creative rebalancing of the political norm. And the anthology’s expanded definition is shown in selections like “Elephant Air” by Fran Kimmel, a story where animal rights, personal politics and family politics collide. While the individual stories vary widely in tone and theme, they share the hallmark of a great read: strong, captivating and imaginative writing.

— Kate Watson, Atlantic Books Today, Spring 2013

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 In the introduction to Everything Is So Political, editor Sandra McIntyre explores the purposeful ambiguity of the title and the broad scope of this short story collection. Using an expansive definition of “political”, the twenty stories in this anthology run the gamut from a fictionalized account of Halifax’s 2012 bus strike in David Fleming’s “Halifax on Strike!” to an explosion on a bus in Sri Lanka in Shane Joseph’s “Suicide Bombers”. Politics in the most common definition of the word are explored in stories like “The Extremists”, by R. Jonathon Chapman about a creative rebalancing of the political norm. And the anthology’s expanded definition is shown in selections like “Elephant Air” by Fran Kimmel, a story where animal rights, personal politics and family politics collide. While the individual stories vary widely in tone and theme, they share the hallmark of a great read: strong, captivating and imaginative writing.–Kate Watson for ABT, Spring 2013, Vol 72

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